If it wasn’t for those monsters my job would have been easy, but thanks to them I was a very busy VFX nerd on set for over 6 months. Hundreds of vector art diagrams along with camera and lighting data were delivered to help make the Henson creature suits come to CG life. Also, a few on the fly test comps for director Spike Jonez were cranked out to ensure our weary brains weren’t making any silly mistakes out in the elements.
Client: Warner Brothers
Tags: Feature Film